X Below is an example of the kind of thing lil' Rodak was reading in 1953:
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comments:
Anonymous
said...
Pogo was anything but kids stuff. Walt Kelley is still the No. 1 comic strip artist of all time, light years ahead of the overrated Calvin and Hobbes. His take on Joseph McCarthy ("Simple J. Malarkey") is worthy of his rep alone, let alone his popularization of Earth Day shortly before his death, with the infamous "We have met the enemy ..." line.
I've always thought of Kelley as a deeper version of Berkeley Breathed (who I also admire).
That's why I've always made the distinction between Kelley and artists like Art Spiegelman, Crumb, etc. as opposed to those puerile "Superhero" comics. Anybody who thinks crap like "Watchmen," "Dark Knight" etc. is on the same level as "Pogo," "Jimmy Corrigan," and "Maus" doesn't know much about true art or writing.
Of course, this is what happens to comic strip artists who attempt Walt Kelley-like depth these days, as opposed to Ziggy/Garfield/Family Circus inanity:
I posted this just for you, MS. This Pogo is pretty much for kids. It's not up to the level of the newspaper strip that I read religiously in those days. I think that you underestimate Robert Crumb, though.
I think my sentence was poorly constructed. I put Crumb in the same category as Kelley, not the "superhero artists." I'm not a big fan of Crumb, but he has his moments when he wants to get serious about art. I always found it amusing that he turned a commission from the Rolling Stones, and had the balls to them that he hated their music.
By the way, read the Popeye link. I can see why the syndicate blew a gasket when Bobby London drew it up (even though I thought it was funny). It didn't have the subtlety of Kelley, though.
I am an introverted blue collar pilgrim, surviving near the center of the continent, on the fringes of a shopworn civilization. I abide in rooms full of partially-read tomes, each bookmarked with the fragment of a shattered illusion.
Everything which is inspired, heroic or saintly is derived from contemplation.
____
One--the smallest of numbers... That is the infinite. A number which increases thinks that it is getting nearer to infinity. It is getting further away from it. You have to stoop to rise.
3 comments:
Pogo was anything but kids stuff. Walt Kelley is still the No. 1 comic strip artist of all time, light years ahead of the overrated Calvin and Hobbes. His take on Joseph McCarthy ("Simple J. Malarkey") is worthy of his rep alone, let alone his popularization of Earth Day shortly before his death, with the infamous "We have met the enemy ..." line.
I've always thought of Kelley as a deeper version of Berkeley Breathed (who I also admire).
That's why I've always made the distinction between Kelley and artists like Art Spiegelman, Crumb, etc. as opposed to those puerile "Superhero" comics. Anybody who thinks crap like "Watchmen," "Dark Knight" etc. is on the same level as "Pogo," "Jimmy Corrigan," and "Maus" doesn't know much about true art or writing.
Of course, this is what happens to comic strip artists who attempt Walt Kelley-like depth these days, as opposed to Ziggy/Garfield/Family Circus inanity:
http://mikelynchcartoons.blogspot.com/2008/04/popeye-bobby-londons-final-weeks.html
--MS
I posted this just for you, MS. This Pogo is pretty much for kids. It's not up to the level of the newspaper strip that I read religiously in those days.
I think that you underestimate Robert Crumb, though.
I think my sentence was poorly constructed. I put Crumb in the same category as Kelley, not the "superhero artists." I'm not a big fan of Crumb, but he has his moments when he wants to get serious about art. I always found it amusing that he turned a commission from the Rolling Stones, and had the balls to them that he hated their music.
By the way, read the Popeye link. I can see why the syndicate blew a gasket when Bobby London drew it up (even though I thought it was funny). It didn't have the subtlety of Kelley, though.
---MS
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