
“Boxing Backwards” is the title that I gave to a collection of my poems, mostly composed after my move from New York City to Ohio in the early 1990s. The words are taken from a line in a poem, (to which I link you here) which I ended up not including in the collection. It was not that I felt that the poem didn’t work. Its exclusion was based upon my decision that the tortured syntax and neologistic compounds used in the poem (originally titled “In Retrospect: 1994”) clashed with the style of the bulk of the works. Structurally, this poem is an example of an experimental form that I created and used in the composition of a dozen or so other poems which were included in the collection. Its form is based on a strict linear syllable count, repeated in two stanzas of twelve lines each. The syllable count forces word choice and presents the poet with interesting problems of creative composition.
The term “boxing backwards” functions for me on a couple of different levels of meaning. In a pugilistic sense, if one finds that life is landing a series of sharp jabs to one’s chin, while one flails ineffectively, unable either to counterpunch or to mount a defense, one is soon on the retreat—“boxing backwards” into the ropes. On a more immediate level, with reference to the afore-mentioned move from NYC to Ohio, “boxing backwards” suggests the unpacking of the corrugated cardboard boxes into which the treasures and detritus of the life one has left behind had been packed for the move. As one opens the boxes and digs down through layers of documents and other items, one travels “backwards” through time and the boxes, deluged by memories of things past.
As I stated at the conclusion of a recent post, having become increasingly dissatisfied with dissecting the present world, where very little that is good—and less that is worth discussing—is happening, I have instead turned to the past. I have been going through the physical boxes stored in my closet—boxing backwards—and building blog posts around the items found therein.
As some of my Facebook friends have already seen, one category of “treasures” found in a box of very old items was certain pages torn out of some of my college notebooks (1965-1969), the margins of which are adorned with pencil, felt-tip, or ballpoint pen doodles made while obviously paying less than rapt attention to the words of my teachers. I will, for awhile, be using some of these doodles to illuminate selected blog posts. The doodles will most likely have nothing at all to do with the content of the post of above which they appear (as the one on this post does not); they will be art for art’s sake.
The term “boxing backwards” functions for me on a couple of different levels of meaning. In a pugilistic sense, if one finds that life is landing a series of sharp jabs to one’s chin, while one flails ineffectively, unable either to counterpunch or to mount a defense, one is soon on the retreat—“boxing backwards” into the ropes. On a more immediate level, with reference to the afore-mentioned move from NYC to Ohio, “boxing backwards” suggests the unpacking of the corrugated cardboard boxes into which the treasures and detritus of the life one has left behind had been packed for the move. As one opens the boxes and digs down through layers of documents and other items, one travels “backwards” through time and the boxes, deluged by memories of things past.
As I stated at the conclusion of a recent post, having become increasingly dissatisfied with dissecting the present world, where very little that is good—and less that is worth discussing—is happening, I have instead turned to the past. I have been going through the physical boxes stored in my closet—boxing backwards—and building blog posts around the items found therein.
As some of my Facebook friends have already seen, one category of “treasures” found in a box of very old items was certain pages torn out of some of my college notebooks (1965-1969), the margins of which are adorned with pencil, felt-tip, or ballpoint pen doodles made while obviously paying less than rapt attention to the words of my teachers. I will, for awhile, be using some of these doodles to illuminate selected blog posts. The doodles will most likely have nothing at all to do with the content of the post of above which they appear (as the one on this post does not); they will be art for art’s sake.
X

13 comments:
This one's got a 1920s publication illustration feel to it, the kind that you would find in the borders and margins of literary magazines.
--MS
It's definitely from a margin. The original is about an inch in width.
Sort of a 1920s literary magazine style, the kind of thing you would find in the borders and margins of a story or article in the days when a page full of type was not considered a challenge for the average publication reader.
---MS
P.S. I don't do the Facebook thing. They and Google are keen and scoping through your conversations and selling your data, including your personal works.
Sorry for the double post. Blogger told me the original didn't post.
---MS
The November 22 one is kinda Marc Chagall influenced...
If Facebook can sell anything I've got there they will have done more than I can do.
If Facebook can sell anything I've got there they will have done more than I can do.
So, you're looking for agent? I'll change my name to Marty, start wearing open collar shirts and polyester leisure suits, call everyone "Babe," and we're in business! (LOL)
I think I mentioned this site to you before, to work your inner self-publisher.
www.lulu.com
---MS
Speaking of art, I often wondered if you were secretly the author of this strip ("Frazz") as the author hails from Lansing, Michigan
http://c0389161.cdn.cloudfiles.rackspacecloud.com/dyn/str_strip/301988.full.gif
That the black kid's name is "Caulfield" made me suspicious (LOL)
---MS
But, if I find that my stuff's worth stealing, then I'd really know it has value...
Ah, so mature and yet so cynical. Did you ever stop to think that some of us may find your stuff worthy of payment? (thus, the Lulu link)
It's my generation and the younger ones that don't know the VALUE of anything, so they want EVERYTHING for free, like the Thanksgiving pigs you referenced. An extension of the "something-for-nothing, mommy and daddy should take care of all my messes, lazy, why should I have to get off my lazy butt and learn" mentality (which amuses the hell out of me whenever Mr. George goes off into his anti-Bloomer screeds, knowing how fucking pathetic our own generation truly is).
I'm sure that even George Bernard Shaw and Orwell, socialist or not, expected remuneration for their efforts (in Orwell's case, it provided an income for his son who was only five when his father died of T.B.).
"Who who steals my purse ..." Most cultural purses these days are trash, thus the thievery culture of Gen-X, Y, and whatever other nomenclature the young ones who to describe their lack of activity these days. If they worked their brains like they work their Thumbs on Playstations, obesity wouldn't be a problem.
---MS
Good stuff, MS. I wish that you had your own site, so I'd have something worthwhile to read more often...
I'm leaning towards it. I've been living without TV or cable for a month now and enjoying every minute of it. I might even start reading REAL BOOKS again! (LOL)
I'll keep you posted. In the mean time, I'm headed for the library. Looking forward to more of your older material.
As I post this, the CAPTCHA word verification is (as God is my witness) "suckless." I guess that's a Gen-X way of saying your site is really good (or Monica Lewinsky is still unemployed).
---MS
It's amazing how often those things come up with something that seems relevant. It's almost ominous, actually...
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